Each band features attack, release, gain, and threshold controls. Softube paid close attention to the features of the original hardware, giving the plugin the same three-band functionality that gave the 1973 its reputation. The Drawmer 1973 offers 3 bands of compression with variable cross overs. For transparent compression with lots of configuration, the C6 is a great choice. Paired with the Knee control, these two settings help achieve the reaction you need out of the C6.
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The release can be set to ARC (auto release control) to allow the plugin to set the release for transparent results, or to manual when you want the plugin to follow the fixed amounts that you have set.īehavior settings give a choice between Electro and Opto responses to let you tailor the response of the plugin’s gain reduction.
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Master section controls allow you to control the frequency range of the sidechain signal with split confining it to the crossover range and wide allowing the signal to come in at full range.įurther control over the plugin is available via the master section.
The C6 also includes side-chain inputs on all six of the bands, giving even more flexibility to this powerful plugin. Because of this, the floating bands are great for corrective tasks such as de-essing from within the same plugin.
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The floating bands are free of the crossovers meaning they can be used anywhere in the frequency range. The four band section has threshold, gain, range, attack, and release controls for each band and allows the crossovers to be altered to fit your situation. The C6 starts off with a four-band/three crossover compression section that is supplemented by two additional floating bands. The C6 offers 4 crossover bands and 2 floating bands.īuilding upon their beloved C4 multi-band compressor, the Waves C6 gives engineers a powerful toolset, rock-solid performance, and a great price tag to start using multi-band compression. If you’re looking to have your mix mastered, send it to us here: It should be noted that these compressors are in no particular order. With that said, let’s take a look at our pick for the top 10 multi-band compressors. Through frequency-specific compression and independently set compression parameters, multi-band compressors are an integral form of processing when mixing and mastering. Previous articles have covered some of the best ways to apply compression when making music, but multi-band compression takes things one step further – they provide control that simply is available when using a traditional stereo compressor. Whether dynamic control or creating tone is your goal, compressors are essential to any mix. First and foremost, they exist to help balance the dynamics of a performance, making quiet parts louder and louder parts quieter.Īdditionally, certain compressors provide coloration or saturation with harmonic generation.
Compressors allow us to do all sorts of processing when mixing and mastering.
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